On the 300th anniversary of the birth of the Neapolitan violinist Emanuele Barbella (1718-1777) I decided to organize the premiere recording of his Sei Duetti a Due Viole. The recording, made by Fabio Framba, will be accompanied by the first publication of the score of this set of duets by DaVinci editions.
Barbella studied with his father, Francesco, and with Pasquale Bini, one of Tartini’s favorite pupils at the Scuola delle Nazioni in Padua. The Sei Duetti belong to the Italian instrumental repertoire from the mid-18th century. Emanuele Barbella was the teacher of Ignazio Raimondi (1735-1813), another Neapolitan violinist who had been very active in the British musical environment up to the beginning of the 19th century. The importance of Tartini’s school for the development of the European violin tradition deserves to be underlined, also in the wake of the upcoming 250th anniversary of Tartini’s death (1770-2020).
Andreas Moser, in his Geschichte des Violinspiels, described these Sei Duetti as one of the most significant of Barbell’as works. These pieces are featured by the typical elegance of the Italian chamber music of the 18th century and were probably destined to the private entertainment of amatori e dilettanti. They are characterized by great fantasy and by a variety of ideas and certainly reach beyond the traditional didactic scope of the duet genre.
We just launched our first crowdfunding campaign, in order to support the restoration project of a small double bass from the eighteenth century, a rare instrument that needs some repairs in order to resound again. You can help us reaching the goal on the Kickstarter platform at this link: https://www.kickstarter.com/projects/154005492/the-bassetto-manfredo-reloaded
The Bassetto Manfredo (as we called it) belongs to the Comune di Faenza, in Italy, and was part of the Museo del Teatro. It was probably used in the local theatre and possibly also in the music chapel in the Duomo of the town. It is the work of an unknown local luthier, and is a rare instrument because it has not been modified in its structure. Read more about it on the kickstarter page, and support us! We are really looking forward to use it in our next projects!
We just received the first copies of our last recording, the Stabat Mater G 532 by Luigi Boccherini, in the 1781 version for soprano and string quintet (with two cellos). The soprano Francesca Boncompagni provides an enchanting interpretation of this intense sacred work.
The recording is based on the new critical edition prepared by Luca Levi Sala for the Centro Studi Opera Omnia Luigi Boccherini, and was published by UtOrpheus in 2015. We are the first ensemble to perform and record this music from this new edition, which provides new interesting points of view, especially for the treatment of the bass lines.
To complete the album, the String Quartet Op. 41 n. 1 G 214, in c minor: this work is tightly related to the Stabat Mater, as some of the melodies of the sacred work has been used for the Flebile and the Trio of this string quartet.
The album is now available on our website and you are more than welcome to order your copy right now! Check the Shop section.